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Robert and Elizabeth

Musical

8 November 1993 - 13 November 1993

Awards:
Production Team
Director
Audrey H. McL. Raistrick
Musical Director
J. Arnold Thornton
Cast
Robert Browning
Graham R. Edgington
Elizabeth Barrett
Irene Bowers
Edward Moulton-Barrett
Ernest Dawson
Henrietta
Adrienne Wormald
Captain Surtees Cook
Michael Taylor
Arabel
Lisa Oldbury
Bella Hedley
Vicki Smith
Henry Bevan
Paul Duckworth
George
Craig Williams
Alfred
Gary Williams
Henry
David Witt
Charles
Tim Collinson
Septimus
David Wilson
Octavius
Mike Booth
Wilson
Glenys Poole
Dr Chambers
Paul Longden
A Fellow Officer
Christopher Maden
Evans
Alex Topp
Lady Mary
Sylvia Fishwick
Mr MacReady
Roy Iddon
Mr Harrison
Alex Topp
Stage Manager
William Sharples
Mr Howard
Alex Topp
Company
  • Jane Bickerstaffe
  • Norman Bowers
  • Carole Brooks
  • Claire Clarkson
  • Stanley Collinson
  • Pamela Conlon
  • Norma Dootson
  • Carol Gannon
  • Hazel Gray
  • Barbara Haslam
  • Doreen Healey
  • Harry Lee
  • Jean Maden
  • Barbara Martin
  • Yvonne Neary
  • Gillian Pollitt
  • Ruth Prescott
  • Mary Pycroft
  • David Raistrick
  • Christine Taylor
  • Betty Towler
  • Diane Tustin
  • Joyce Walters
  • Norma Wilcock
  • Debbie Wild
  • Elizabeth Williams
  • Janet Witt
  • Nicola Worrall
  • Dorothy Yardley

Photographs by
John Tustin
Reviews
BRILLIANT! That is not too high praise for this marvellous production which is based on the love story of poets Elizabeth Barrett and Robert Browning. Superb lead players, notably Graham R Edgington (Robert Browning); Irene Bowers (Elizabeth) and Ernest Dawson (Edward Moulton-Barrett), whose acting and singing talents are exceptional, lead a remarkably strong cast.

I, and I suspect many of the audience, had not seen this musical before. Despite the absence of obvious "hit" songs it is a moving and often humorous tale. But the dark, obsessive side of Edward Moulton-Barrett's fatherly love for Elizabeth is revealed, especially during the dramatic "What the World Calls Love".

Director Audrey H McL Raistrick has directed with flair and is blessed with a plethora of talent not often seen in one production on the amateur stage. She uses that talent intelligently and imaginatively. Mention must be made of the men's chorus who were excellent. Space permitting, I would name every member of the cast because they so richly deserve it. Their interpretation and enunciation of the lyrics could serve as an example for some professional productions I've seen.

Costumes and scenery are outstanding. I urge you to see this show — if you can book a seat.
Doreen Crowther
After a period of some 25 years, the society again chose to present this rarely performed show. It is a pity that more societies don't try it for, although it is not considered box-office (and there is a perceived lack of obvious 'hit' numbers), the storyline is strong and there are many parts for the cast to get its teeth into. The challenge was duly taken up and what an excellent job was made of it.

Whilst the chorus and dance numbers are a little restricted by the structure of the show every single members of the society, principals, chorus and backstage alike, can take a great deal of satisfaction from their performance - this was a splendid show indeed.

Based on the love story of Elizabeth Barrett and Robert Browning, the cast was headed by strong lead characters, notably Graham R. Edgington (Robert Browning), Ernest Dawson (Edward Moulton-Barrett) and Irene Bowers as Elizabeth. Their acting and singing talents were generally of the highest order although Irene did struggle a little with the musical score. The different moods and nuances of the story were played to perfection and none more professionally than Ernest Dawson who captured the rather possessive and sinister nature of Edward Moulton-Barrett with respect to the members of his family. At this point there is a temptation to list the many other good performances but column inches will not permit. Suffice it to say that all deserve a mention.

The interpretation of the storyline by the producer Audrey McL. Raistrick was excellent. She used the substantial depth of talent presently available to deliver the drama and humour to the best advantage. The set designs were inventive and some fifteen scene changes were carried out smoothly.

To omit to mention the costuming of the show would not complete the picture. They added the finishing touches to the overall picture. It was also my pleasure to present Anne Windsor (Wardrobe Manager) with her well-earned 25 year medal along with Sylvia Fishwick who received a 40 year bar.
Glyn Neary
Awards
id parent_id Winner/Nomination Award Name Person Awarding Body
Winner
Best Musical
Bolton Evening News Amateur Theatre Awards
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