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The Sound Of Music

Musical

9 November 1998 - 14 November 1998

Awards:
Production Team
Director
Irene Bowers
Musical Director
David Perks
Choreographer
Ros Binge
Cast
Maria
Adrienne Wormald
Captain Von Trapp
Graham R. Edgington
Max Detweiler
Andrew Turton
Elsa Schraeder
Vicki Wilson
Mother Abbess
Renee Easterbrook
Rolf
James Edgington
Liesl
Katy Atty
Sister Margaretta
Kathy Turton
Sister Sophia
Jane Bickerstaffe
Sister Berthe
Christine Catherall
Friedrich
Chris Hayes
Louisa
Elizabeth Pycroft
Kurt
Chris Bentley
Brigitta
Alexandra Hardman
Marta
Helen Pycroft
Gretl
Charlotte Smith
Franz
Paul Duckworth
Frau Schmidt
Jean Maden
Ursula
Jenny Brindle
Herr Zeller
Roger Higginbottom
Baron Elberfeld
David Raistrick
a Postulant
Katy Gannon
Admiral
Norman Bowers
First Soloist
Norma Wilcock
Trio
  • Norma Dootson
  • Katy Gannon
  • Louise Orsman

Nuns
  • Kay Brannon
  • Ann Coleman
  • Sylvia Fishwick
  • Kathleen Holland
  • Linda Howarth
  • Cecilia Keefe
  • Rita Margiotta
  • Mary Pycroft
  • Joyce Walters

Company
  • Holly Binge
  • Carole Brooks
  • Glenys Collinson
  • Barry Cragg
  • Hazel Gray
  • Roy Iddon
  • Barbara Martin
  • Yvonne Neary
  • Ruth Prescott
  • Michael Taylor
  • Timothy West
  • David Wilson

Photographs by
John Tustin
Reviews
Walmsley Church AODS fully deserved their sell-out for the hugely popular Sound of Music, which they staged last week.

A talented cast, headed by Adrienne Wormald (Maria) and Graham R Edgington (Captain Von Trapp), did full justice to such well loved songs as Do-Re-Mi, My Favourite Things and Edelweiss. The night I saw the show there was particularly warm applause for Renee Easterbrook (Mother Abbess), who movingly sang Climb Every Mountain. James R Edgington (Rolf) and Katy Atty (Liesl) were an attractive pair in their duet, Sixteen Going On Seventeen. Andrew Turton made the most of the comedy as Max Detweiler, and Vicki Wilson was suitably sophisticated as Elsa Schraeder.

The society's stage staff were on top form with some stunning sets, which included the Nonnberg Abbey, the mountainside, Maria's bedroom and the Von Trapp living room. There are few societies which achieve and maintain such high staging standards. Congratulations to Director Irene Bowers for bringing a fresh approach to this much-loved musical
It appears that this show still holds a place in the hearts of the public judging by the packed auditorium throughout the week. This was a good production by director Irene Bowers with solid orchestral backing under musical director David Perks and the usual high standard of sets from the backstage team under stage manager Wyn Dawson.

The "Morning Hymn", "Dixit Dominus" and "Alleluia" by the Nuns led by Sister Margaretta (Kathy Turton), Sister Sophia (Jane Bickerstaffe) and Sister Berthe (Christine Catherall) were all beautifully sung setting the tone for the whole production.

This sombre opening was well contrasted with the entrance of Maria. Adrienne Wormald (Maria) produced an excellent performance. Her diction, vocal clarity. charming personality and her rapport with the children captivated the audience. Graham R Edgington was convincing as the authoritarian Von Trapp whilst also managing to soften his attitude towards his family and Maria later in the proceedings.

Vicki Wilson and Andrew Turton had the difficult supporting roles of Elsa Schraeder and Max Detweiler. They held the stage well, sang with confidence and the parts were generally well played. Max appeared more the "jolly uncle - rather than the usual urbane character whilst Elsa lacked a little of the haughty attitude of the role. Katy Atty (Liesl), Chris Haves (Friedrich), Elizabeth Pycroft (Louisa), Chris Bentley (Kurt), Alexandra Hardman (Brigitta), Helen Pycroft (Marta) and Charlotte Smith (Gretl) were appealing as the Von Trapp children working well together whilst James R Edgington, perhaps a little too young for the part of Rolf, did quite well without completely capturing the arrogance of the Hitler youth. Renee Easterbrook had the right balance between authority and compassion for the role of the Mother Abbess and used her fine, powerful voice to full effect with a very moving "Climb Every Mountain".

With the exception of the final scene, which somehow lacked the drama and tension of the family's bid for freedom, this was a highly entertaining production, thoroughly enjoyed by the capacity audience.
Glyn Neary
Awards
id parent_id Winner/Nomination Award Name Person Awarding Body
Nomination
Special Award for Scenery
Bolton Evening News Amateur Theatre Awards
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