It is always good to see something that has never been performed in the area before and Walmsley Church AODS' decision to premier Whistle Down the Wind in Bolton did not disappoint. The first night capacity audience was taken on a journey to Deep South America (although the original book was set in Lancashire) as we take a look into the lives of widower Boone and his family.
The opening chorus of The Gates of Heaven was a pleasure to listen to and set the pace for quality vocals throughout the show. Musical director Mike Pinder has certainly put the cast through their paces; especially the ensemble of children who lit up the stage and auditorium alike as they sang beautifully together — No Matter What and When Children Rule the Word were stunning. Director Nora Howcroft directs a strong cast and provides a slick production.
Mike Taylor as Boone is reliable as ever and Jess Barnett is a pure delight as Swallow. Vocally strong, with stage presence aplenty — this led to a polished performance. Jess displayed a subtle acting approach that suited the part to a tee. Katie Ball as Brat and Lizzie Glover as Poor Baby complete Boone's family and both performers show great promise for the future with vocal and acting skills that are just waiting to be further developed. Newcomer Joe Davies as The Man turns in a sterling performance. This is a vocally demanding role and his style of voice suited the part well. His first scenes were played with a quiet innocence as he goes along with the view of Swallow that he is Jesus, however, we see his true acting ability, both through song and delivery as the story comes to a climax and the level of acting steps up not only one, but several gears — a thorough performance. Helen Shaw plays rebellious Candy with a suitable amount of attitude, convincing us that she is not to be messed with whilst Jake Dufton as Amos gives off the air of being rough and ready when all along he has a caring soul. Both parts played with good characterisation and delivery.
There is not enough space to mention the full cast but suffice to say supporting roles were well cast and added to the success of this fresh and feel good production. The props set and costumes were in keeping with the piece and the usual attention to detail — which adds to the success of a production, had been observed. Do not be put off because it is a show that is unfamiliar — you really won't be disappointed.
The opening chorus of The Gates of Heaven was a pleasure to listen to and set the pace for quality vocals throughout the show. Musical director Mike Pinder has certainly put the cast through their paces; especially the ensemble of children who lit up the stage and auditorium alike as they sang beautifully together — No Matter What and When Children Rule the Word were stunning. Director Nora Howcroft directs a strong cast and provides a slick production.
Mike Taylor as Boone is reliable as ever and Jess Barnett is a pure delight as Swallow. Vocally strong, with stage presence aplenty — this led to a polished performance. Jess displayed a subtle acting approach that suited the part to a tee. Katie Ball as Brat and Lizzie Glover as Poor Baby complete Boone's family and both performers show great promise for the future with vocal and acting skills that are just waiting to be further developed. Newcomer Joe Davies as The Man turns in a sterling performance. This is a vocally demanding role and his style of voice suited the part well. His first scenes were played with a quiet innocence as he goes along with the view of Swallow that he is Jesus, however, we see his true acting ability, both through song and delivery as the story comes to a climax and the level of acting steps up not only one, but several gears — a thorough performance. Helen Shaw plays rebellious Candy with a suitable amount of attitude, convincing us that she is not to be messed with whilst Jake Dufton as Amos gives off the air of being rough and ready when all along he has a caring soul. Both parts played with good characterisation and delivery.
There is not enough space to mention the full cast but suffice to say supporting roles were well cast and added to the success of this fresh and feel good production. The props set and costumes were in keeping with the piece and the usual attention to detail — which adds to the success of a production, had been observed. Do not be put off because it is a show that is unfamiliar — you really won't be disappointed.
Paul Cohen