This musical version of L.M. Montgomery's classic novel of the same title is the most interesting release to amateurs since Fiddler On The Roof.
It faithfully preserves the story of the book and women will love it. But though women constitute 85 per cent of amateur audiences which should be the guarantee of success, the show I fear won't have a run with operatic societies. They'll be scared off by the scenery. Even Walmsley Church Operatic Society's superb stage crew, who think in terms of all or nothing, were stretched to the limit in this northern premiere. I totted up 17 scenes and four changes.
The biggest headache is the Green Gables set which embraces living room, bedroom, hall, staircase and front garden. Walmsley moved this on and off four times using castors. On lesser stages this would be impossible.
The music is modern but simple and melodic. There are two splendid leading roles for middle-aged players and two for youngsters and no fewer than 29 small parts for all ages. A players' as well as women's show, but the scenery will have to be modified.
Walmsley found a real redhead in Christine Roberts to play the spirited little orphan and a most interesting study it was. Harry Lee as old Matthew was another success with Audrey Raistrick cutting a rather dour figure as his unbending sister.
Graham Yardley came in at only a fortnight's notice to partner Christine and in the circumstances did very well. David Tyldsley and Ernest Pollitt produced.
